I. Aesthetica and . Agis, Die Maschinen-Elemente, ihre Berechnung und Konstruktion : Mit Rücks Science, semiotics and society: The Ulm Hochschule für Gestaltung in Retrospect, Bach Cv (1896) Die Maschinen-Elemente, ihre Berechnung und Konstruktion : Mit Rücksicht auf die neueren Versuche 5. vermehrte Auflage edn. Verlag der J. G. Cotta'schen Buchhandlung, p.67, 1924.

K. Blossfeldt, K. Nierendorf, A. G. Berlin-boden, and M. , Urformen der Kunst: photographische Pflanzenbilder Computer Models of Creativity Handbook of creativity, pp.351-372, 1928.

D. Braha and Y. Reich, Topological structures for modeling engineering design processes, Research in Engineering Design, vol.14, issue.4, pp.185-199, 2003.
DOI : 10.1007/s00163-003-0035-3

J. Brun, L. Masson, P. Weil, and B. , Analyzing the generative effects of sketches with design theory: sketching to foster knowledge reordering, International Conference on Engineering Design, p.15, 2015.
URL : https://hal.archives-ouvertes.fr/hal-01148275

J. Campbell, The German Werkbund. The Politics of Reform in the Applied Arts A beginner's guide fo Forcing, Communicating Mathematics -A conference in honor of Joseph A. Gallian's 65th Birthday, pp.25-40, 1978.

P. Cohen, Set Theory and the Continuum Hypothesis, 1966.

P. Cohen, The Discovery of Forcing, Rocky Mountain Journal of Mathematics, vol.32, issue.4, pp.1071-1100, 2002.
DOI : 10.1216/rmjm/1181070010

P. Dehornoy, Théorie axiomatique des ensembles, p.20, 2010.

B. Dickman, Mathematical Creativity, Cohen Forcing, and Evolving Systems: Elements for a Case Study on Paul Cohen, Journal of Mathematics Education at Teachers College, vol.4, issue.2, pp.50-59, 2013.

K. Dorst and P. Vermaas, John Gero???s Function-Behaviour-Structure model of designing: a critical analysis, Research in Engineering Design, vol.96, issue.2, pp.17-26, 2005.
DOI : 10.1007/s00163-005-0058-z

A. Dow, K. Taschen, F. Engler, and C. Lichtenstein, Bauhaus 1919-1933 Streamlined, A Metaphor for Progress, The Esthetics of Minimized Drag Suisse Findeneisen F (1950) Neuzeitliche Maschinenelemente Objects of desire. 2ème édition, première édition en 1986 edn, Series of Exercises in Art Structure for the Use of Students and Teachers Life and Work. Prestel, Munich Froissart-Pezone R (2004) L'Ecole à la recherche d'une identité entre art et industrie, pp.1877-1914, 1920.

H. Gardner, Art Through the Ages -An Introduction to its History and Significance, 1923.

J. Guilford, Creativity, American Psychologist, vol.3, pp.444-454, 1950.

J. Hadamard, L. Masson, P. Reich, Y. Weil, and B. , The psychology of invention in the mathematical field A systematic approach of design theories using generativeness and robustness, International Conference on Engineering Design, p.12, 1945.

A. Hatchuel and B. Weil, C-K design theory: an advanced formulation, Research in Engineering Design, vol.15, issue.4, pp.181-192, 2009.
DOI : 10.1007/s00163-008-0043-4

A. Hatchuel, B. Weil, L. Masson, and P. , Towards an ontology of design: lessons from C???K design theory and Forcing, Research in Engineering Design, vol.15, issue.3, pp.147-163, 2013.
DOI : 10.1007/s00163-012-0144-y

URL : https://hal.archives-ouvertes.fr/hal-01485098

M. Heymann, V. Hubka, and W. Eder, Kunst" und Wissenchsaft in der Technik des 20 Theory of technical systems. A total Concept Theory for Engineering Design The art of color Design and Form, the Basic Course at the Bauhaus and Later, Jahrhunderts. Zur Geschichte der Konstruktionswissenschaft. Chronos Verlag, Zürich Itten J NY Itten J, 1961.

B. Jaffee, Before the New Bauhaus: From Industrial Drawing to Art and Design Education in Chicago, Design Issues, vol.21, issue.1, pp.41-62, 2005.
DOI : 10.1162/0747936053103066

D. Jansson and S. Smith, Design fixation, Design Studies, vol.12, issue.1, pp.3-11, 1991.
DOI : 10.1016/0142-694X(91)90003-F

T. Jech, Set Theory, 2002.
DOI : 10.1007/978-3-662-22400-7

A. Kanamori, Abstract, Bulletin of Symbolic Logic, vol.2, issue.03, pp.351-378, 2008.
DOI : 10.1090/S0002-9939-1961-0124515-4

W. Kandinsky, Traduit de l'allemand d'après des notes manuscrites par Suzanne et Jean Leppien edn, 1929.

W. Keane, Semiotics and the social analysis of material things, Language & Communication, vol.23, issue.3-4, pp.409-425, 2003.
DOI : 10.1016/S0271-5309(03)00010-7

F. Kesselring, Die "starke" Konstruktion, Gedanken zu einer Gestaltungslehre, p.3050, 1942.

P. Klee, Beiträge zur bildnerischen Formlehre ('contribution to a pictorial theory of form', part of Klee 1921-2 lectures at the Bauhaus) Weimar Klee P (1966) On modern Art, 1922.

P. Klee, Weimar 1921-1922 Contributions à la théorie de la forme picturale Künstler und Strichezieher. Konstruktions-und Technikkulturen im deutschen, britischen, amerikanischen und französischen Maschinenbau zwischen On the Essential Contexts of Artifacts or on the Proposition That "Design Is Making Sense (Of Things, Hazan, Paris König W Suhrkamp Taschenbuch Wissenschaft. Suhrkamp Verlag, Frankfurt am Main Krippendorff K Design Issues, vol.5, issue.2, pp.9-39, 1850.

E. Kroll, Design theory and conceptual design: contrasting functional decomposition and morphology with parameter analysis, Research in Engineering Design, vol.12, issue.2, pp.165-183, 2013.
DOI : 10.1007/s00163-012-0149-6

E. Kroll, L. Masson, P. Weil, and B. , Steepest-first exploration with learning-based path evaluation: uncovering the design strategy of parameter analysis with C???K theory, Research in Engineering Design, vol.34, issue.4, pp.351-373, 2014.
DOI : 10.1007/s00163-014-0182-8

URL : https://hal.archives-ouvertes.fr/hal-01070428

L. Masson, P. Dorst, K. Subrahmanian, and E. , Design theory: history, state of the art and advancements, Research in Engineering Design, vol.15, issue.2, pp.97-103, 2013.
DOI : 10.1007/s00163-013-0154-4

L. Masson, P. Hatchuel, A. Weil, and B. , The Interplay Between Creativity issues and Design Theories: a new perspective for Design Management Studies? Creativity and Innovation Management, pp.217-237, 2011.

L. Masson, P. Weil, and B. , Design theories as languages of the unknown: insights from the German roots of systematic design (1840???1960), Research in Engineering Design, vol.12, issue.33, pp.105-126, 2013.
DOI : 10.1007/s00163-012-0140-2

URL : https://hal.archives-ouvertes.fr/hal-00870336

S. Lenfle, L. Masson, P. Weil, and B. , Using design theory to characterize various forms of breakthrough R&D projects and their management: revisting manhattan and polaris, 2014.

S. Lenfle, L. Masson, P. Weil, and B. , When Project Management Meets Design Theory: Revisiting the Manhattan and Polaris Projects to Characterize ???Radical Innovation??? and its Managerial Implications, Creativity and Innovation Management, vol.70, issue.3, 2015.
DOI : 10.1111/caim.12164

URL : https://hal.archives-ouvertes.fr/hal-01499121

J. Leniaud, Viollet-le-Duc ou les délires du système. Menges, Paris Lindemann U (2010) Systematic Procedures Supporting Creativity -A Contradiction, pp.23-28, 1994.

T. Maldonado, New developments in Industry and the Training of Designers, pp.174-180, 1960.

. Moholy-nagy, The New Vision: Fundamentals of Bauhaus Design, Painting, Sculpture, and Architecture, 1938.

G. Moore, The origins of forcing (Logic colloquium '86) In: Drake FR, Truss JK (eds) Studies in logic and the foundations of mathematics, pp.143-173, 1988.

G. Pahl, W. Beitz, J. Feldhusen, and K. Grote, Engineering design, a systematic approach (trans: Wallace K, Blessing L, Bauert F) Third English edition edn La création mathématique, 1908.

F. Reuleaux and C. Moll, Constructionslehre für den Maschinenbau, erster Band : die Construction der Maschinentheile. Fridriech Vieweh und Sohn An Analysis of Creativity, Braunschweig Rhodes M The Phi Delta Kappan, vol.42, issue.7, pp.305-310, 1862.

R. Riccini, History from Things: Notes on the History of Industrial Design, Design Issues, vol.14, issue.3, p.43, 1998.
DOI : 10.2307/1511893

P. Rice, An engineer imagines. Artemis, Rodenacker WG (1970) Methodisches Konstruieren. Konstruktionsbücher, 1994.

D. Ross, A Theory of Pure Design: Harmony, Balance, Rhythm. Houghton, Mifflin and Company The Werkbund, Design Theory and Mass Culture Before the First World War, 1907.

O. Shai and Y. Reich, Infused design. I. Theory, Research in Engineering Design, vol.15, issue.2, pp.93-107, 2004.
DOI : 10.1007/s00163-004-0047-7

O. Shai and Y. Reich, Infused design. II. Practice, Research in Engineering Design, vol.15, issue.2, pp.108-121, 2004.
DOI : 10.1007/s00163-004-0048-6

O. Shai, Y. Reich, A. Hatchuel, and E. Subrahmanian, Creativity and scientific discovery with infused design and its analysis with C???K theory, Research in Engineering Design, vol.41, issue.2, pp.201-214, 2013.
DOI : 10.1007/s00163-012-0137-x

J. Stoots, Karl Blossfeldt, Indisputably Modern (ed) European Photo Avant-garde, pp.1920-1930, 2011.

T. Taura, Y. Nagai, T. Taura, and Y. Nagai, Concept Generation for Design Creativity: A Systematized Theory and Methodology A Systematized Theory of Creative Concept Generation in Design: First-order and high-order concept generation, Research in Engineering Design, vol.24, issue.2, pp.185-199, 2012.
DOI : 10.1007/978-1-4471-4081-8

T. Tomiyama, H. Yoshikawa, and G. Wallas, Ten Books on Architecture The Art of Thought. Harcourt Brace Creativity Beyond The Myth of Genius Bauhaus. world of art Teaching at the BAuhaus. Hatje Cantz, Yoshikawa H (1981) General Design Theory and a CAD System, Machine Communication in CAD/CAM, proceedings of the IFIP WG5.2- 5.3 Working Conference, pp.35-57, 1926.