Fallacy of the work, truth of the performance. What makes music baroque: historical authenticity or ontological plurality?

  Antoine Hennion ¹ AuthorId : 444667

Auteur IdHAL : antoine-hennion arXiv : https://arxiv.org/a/antoine hennion ResearcherId : http://www.researcherid.com/rid/hennion antoine ORCID : https://orcid.org/0000-0002-9602-3746 VIAF : https://viaf.org/viaf/ahennion