Fallacy of the work, truth of the performance. What makes music baroque: historical authenticity or ontological plurality?

Antoine Hennion ¹ AuthorId : 444667
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Auteur IdHAL : antoine-hennion ORCID : https://orcid.org/0000-0002-9602-3746 ResearcherId : http://www.researcherid.com/rid/hennion antoine VIAF : https://viaf.org/viaf/ahennion arXiv : https://arxiv.org/a/antoine hennion