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Fallacy of the work, truth of the performance. What makes music baroque: historical authenticity or ontological plurality?

Antoine Hennion 1
1 CSI i3 - Centre de Sociologie de l'Innovation i3
Keywords : taste performance music history historicity forgery authenticity : baroc music
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https://hal-mines-paristech.archives-ouvertes.fr/hal-01355457
Contributor : Catherine Lucas Connect in order to contact the contributor
Submitted on : Tuesday, August 23, 2016 - 1:40:25 PM
Last modification on : Wednesday, October 14, 2020 - 3:52:29 AM

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Antoine Hennion. Fallacy of the work, truth of the performance. What makes music baroque: historical authenticity or ontological plurality?. J. Law & E. Ruppert. Modes of Knowing. Resources from the Baroque, Mattering Press, pp.84-114, 2016. ⟨hal-01355457⟩

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