Fallacy of the work, truth of the performance. What makes music baroque: historical authenticity or ontological plurality?

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Chapitre d'ouvrage
J. Law & E. Ruppert. Modes of Knowing. Resources from the Baroque, Mattering Press, pp.84-114, 2016, 〈https://www.matteringpress.org/news/first-books-modes-knowing〉
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Contributeur : Catherine Lucas <>
Soumis le : mardi 23 août 2016 - 13:40:25
Dernière modification le : lundi 12 novembre 2018 - 11:00:03

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  • HAL Id : hal-01355457, version 1

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Antoine Hennion. Fallacy of the work, truth of the performance. What makes music baroque: historical authenticity or ontological plurality?. J. Law & E. Ruppert. Modes of Knowing. Resources from the Baroque, Mattering Press, pp.84-114, 2016, 〈https://www.matteringpress.org/news/first-books-modes-knowing〉. 〈hal-01355457〉

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