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Approche psychanalytique d’une voix inouïe : une histoire des castrats

Abstract : Psychoanalytical approach of a voice unprecedented: a history of castrati Born of the religious chorus, the castrato, after a detour attracted a lot of attention on the stage of the opera, goes back to it. While the castrato voice was the centerpiece of the opera seria there are still at the beginning of 20 century, but at the price of confining himself at the choir of the Cappella Papale. The question which arises to us is then this one: why the castrato voice adulated, during the eighteenth century on ordering the neineteenth century, is ti perceived at obscene ?
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RFM 28.1.3.pdf
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Jean-Michel Vivès. Approche psychanalytique d’une voix inouïe : une histoire des castrats. Revue française de musicothérapie, Association française de musicothérapie, 2008, 28 (1), pp.21-28. ⟨hal-03433301⟩



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